A crowd moving in one direction.People who flow in a moment.
A scene where the difference with other people disappears and looks uniform.
There are many different kinds of life there.
You can feel invisible energy when you see a large mass of individuals.

I set myself in the streets of Taiwan, and I multilayered a lot of time to create a new timeline that reflects individuals.

Director
Hiroshi Kondo(stnw.org)

Music & Sound Design 
Himuro Yoshiteru(himuro-yoshiteru.com)

Through hypnotically crafted anthesis, Tide is an ever-evolving composition that challenges us to visually retain the present moment, while simultaneously creating anticipation for the next.

As an accompaniment to the film we have released a collection of Live Wallpapers for iOS which can be downloaded (via an iOS device) from the link on the project page - panoply.co.uk/work/tide

CREDITS

Concept, Design & Direction
Panoply

Audio
Human Robot Soul
humanrobotsoul.com

Most poisonous mushrooms won’t kill you—they’ll simply cause a severe headache or vomiting. Death-cap mushrooms are not like the others. As little as half an Amanita phalloides contains enough toxin to kill an adult human. Ingestion of the poison in death-cap mushrooms, known as amatoxin, is responsible for 90 percent of deaths related to mushroom poisoning worldwide. Worse still, death caps can resemble nontoxic mushrooms and are said to be quite tasty. You might not know you’ve been poisoned until days after eating the highly toxic fungi.

While the mushrooms are historically endemic to Scandinavia and parts of northern Europe, the cultivation of non-native species of trees in North America has led to a “mushroom boom” in some areas of the continent.

Life Up Close is a project of The Atlantic, supported by the HHMI Department of Science Education.

One day, I saw this dazzling darkness, and it devoured me. Then, I no longer existed.

We often tend to dream, expect, and imagine the things we wished we had. Dreaming is a catalyst for a better future. However, I see dreams in two different ways. One being that dreams give off a sense of motivation and the other that dreams create a sense of delusion within. As humans, our dreams block us from seeing the things that are right in front of us. Although dreams are meant to keep us alive, they also make us forget our existence and our purpose. In the end, our lack of awareness of our surroundings can drive us to forget who we really are.

The project, Dream, is a short film that is created based on a visual poem, “Lonely Wintry Moon,” which I wrote portraying myself losing my existence to follow this invisible dream.

Directed by Sofie Lee behance.net/sofielee

Design : Sofie Lee behance.net/sofielee
Animation Direction : Omid Seraj oseraj.com

Voice Over : Stella Stocker stellastockervoice.com

Music : Wesley Slover, Joe Basile sonosanctus.com / thechicken.net 
Sound : Joe Basile thechicken.net 
Mix : Trevor Richardson sonosanctus.com

Behind the Scenes : behance.net/gallery/66089533/Dream

Dream.

Life is like a warm breeze that carries the redolent of spring, the colors that transmute the sky from dusk till dawn. Like a little chaste sprout that just pushed out the ground dauntlessly. A small water drop that just landed on a wild flower to tell its story from a long itinerary
?But I’m an indigent goldfish that is floundering helplessly in this tiny bowl enveloped by hollow plastic plants and just gazing at this beautiful world; a xanadu I can’t be a part of it

I am a puddle on the street that reflects the blue sky and makes graceful ebb and flow of waves coalesced with the spring breeze

but I’m merely a deserted puddle wandering aimlessly. Then a bleak, lonely wintry moon devoured my life. The life of warmth, beauty, love, and passion departed. Then, time stopped, everything lost its colors. It froze my heart and only the whiteness lingered in silence with me

Every two months animators at MediaMonks gather to go deep into their souls. The result is an animated explosion, with a color palette and one theme in common. For this episode we mixed the workflow a bit by asking the sound department to create a bunch of audio files so then the animators could pick and animate based on their work. Enjoy!

Follow the series: deep-thoughts.tv

Stunning new campaign by Ridley Scott for the iconic brand Hennessy.

A four minute VFX-heavy spot ‘The Seven Worlds’, crafted in close collaboration with RSA Films and Ridley Scott at The Moving Picture Company [MPC], based on a campaign and original idea created by advertising agency DDB Paris.

Director: Ridley Scott
Production Company: RSA Films / 75
Producer: Debbie Garvey
DOP: Dariusz Wolski
1st AD: Raymond Kirk
Production Designer: Marc Homes
Costume Designer: Charlotte Law
Make-up: Polly Earnshaw
Editor: Jim Weedon
Managing Director: Kai Hsiung
Executive Producer: Debbie Garvey
_

Creative Agency: DDB° Paris
Executive Creative Director: Alexander Kalchev
Creative Directors: Pierre Mathonat, Alexis Benbehe
TV Producer: Quentin Moenne Loccoz
Managing Director: Xavier Mendiola
_

75 Paris
Managing Director: Emmanuel Guiraud
Executive Producer: Annabelle Fournier
_

Post Production: MPC
Head of CG: Carsten Keller
Creative Director: Ryan Jefferson Hays
3D Supervisor: Boyo Frederix
2D Supervisor: Rod Norman
Head of FX: Selcuk Ergen
Executive Producer: Tomek Zietkiewicz

A film directed by Device

Based on the story by Elizabeth Bonesteel
Read Elizabeth Bonesteel’s original story here: http://bit.ly/2SpzdRW

Creative Direction: The Verge (theverge.com)
Creative Director: William Joel

Produced by Device

Illustration: Device
Animation: Device, David Feliu, Sebastian Garcia, Jong-Ha Yoon, Karol Szczepankiewicz.
Clean up: Device, Luke Etcheverry, Sergi Ros, Sheila Hattaf, Jong-Ha Yoon, Karol Szczepankiewicz, Demian Garnero.

Screenplay: William Joel

Ray: Kyle Stewart
Ando: Michael McDaniel

Music: Sono Sanctus 
Sound Design: Ambrose Yu

Executive Producers: Eleanor Donovan, Nilav Patel.
Supervising Producers: Sophie Erickson
Production Manager: Meg Toth
Editorial Director: Helen Havlak
General Manager: Steven Belser
Netwoek Manager: Sarah Bishop Woods

'HINABI' is the Filipino word for 'WOVEN' which is how our future paths should be: devoid of barriers, prejudice and bias, free from toxic herd mentalities.

Technology has indirectly built these imaginary walls that have torn through our social fabric.

Break through.
——
‘HINABI’ is our entry for this year’s Motion Response theme “The Future is Intimate” at Pause Fest in Melbourne.
____

Directed by Acid House
Story & Creative Direction: Pauline & Ivan Despi
Design & compositing: Ivan Despi
CG artists: Rod Tinapay, Gedrocks Roldan & Ivan Despi
Sound design: Reev Robledo
Music: Pauline Vicencio-Despi
Vocals: Anjeline de Dios