ORDER & CHAOS – An after life journey

4K and Headphones recommended
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Emergence of patterns in chaos or the way we fall in love.
True beauty is everywhere.
Hard to reach, ephemeral and mysterious, or simply hidden from us, revealed in a blink or a few time last forever, it shapes our ability to feel, to observe and to marvel about Nature and other beings.

But are we still able to do so ?
Modern life has weakened our eyes, blurred our attention, night skies has been obliterated by the city lights, noise covers silence increasingly.

Everything is going so fast that it requires a lot of energy to freeze frame and contemplate what universe has to offer.

As a love letter to contemplation, Order & Chaos is an attempt to reveal the beauty we forgot or ignored, how fragile and precious its presence is, and why human is progressively losing it.
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Enjoy.

Thanks to :
Gracy Hopkins as The narrator
Max Cooper for the music
Roman Hill for his precious help and Spline.fr
Dlp / lesofa for producing the film
Lucie Tardy for being

SEX EDUCATION EP7 OPENING

Credits:
Animation by Future Power Station
Director: Runyararo Mapfumo
Animation Director: Yibi Hu
Producer: Sophie Gozlan
Executive Producer: Geoff Parsons
Post Producer: Natalie Silver
Concept Art: Adam Relf, Alex Twin, Rafaila Raikova, Krystian Garstkowiak
Lead animators: Peter Dodd, Daryl Graham, Maki Yoshikura
Animators: Krystian Garstkowiak, Andrew Clarke, Daisy Evans, Alejandra Anguita
Audio: Bang Post

Passing Through

Passing Through is inspired by the tranquility of road trips and all of their meandering twists and turns.

Mac Miller “Color and Shapes” – Dir Sam Mason

In this music video for “Colors and Shapes,” Hornet Director Sam Mason pays tribute to Mac Miller with a surreal & stirring film commissioned by Miller’s family. Following Mac Miller's dog Ralphie as he embarks on a quest into unconsciousness, the film is a dreamscape portrait with abstract yet realistic CG animation, ethereal transitions, and a genuine, heartfelt story.

Director Sam Mason
Client 4 Strikes / Karen Meyers
Commissioned by Miller McCormick
Production Co Hornet
Head of Creative Development Kristin Labriola
Executive Producer Hana Shimizu
Producer Hanna Smith-Ide
Associate Producer Heather Hardin
Editor Sam Stulin
Pre Production
Storyboard Artist Camillo Clauser
Environment Designer Chiara Benedetti
Character Design Jeff Jank
Previs Meg Oswalt
Rigging George Smaragdis, Josh Planz
Look Dev Nicole Noel, Sam Mason
Modelling / Texturing Nicole Noel, Douglas Silva, Ivan Joy,
Laney Lai, Emily Mai, Neil Jackson
Groom Giovani Kososki
Senior Animator Daniel Callaby, Clement Pierre, Jim Bierton
Animator Meg Oswalt, Monica Stevenson

CAKE

A selection of some of the In-Show packaging we created for season 4 of Cake, a curated assortment of shorts on FXX and FX on Hulu

A Living Cake World

What started as an initial marketing exploration evolved into an entire package for the 4th season of Cake on FXX and FX on Hulu. With the eccentric nature of the Cake shorts, we needed a creative way to help introduce each episode as well as define the bounds of the content between commercial breaks. The per-episode themes allowed us to tell micro stories and inject small details that carry over between bumpers to flesh out the cake infused miniature world.

Moby – ‘Why Does My Heart Feel So Bad?’ (Reprise Version) Official Video

The official music video I created for Moby: 'Why Does My Heart Feel So Bad?' (Reprise Version).

Written, directed and animated by Steve Cutts.

Created in Clip Studio Paint, After Effects and ink on paper.

LOVELETTER Animation (Gameboy)

If you want to see the still images, you can visit Behance here:
behance.net/gallery/121098545/-Loveletter

Dreamland

We were approached by The SpingHill Company to produce a series of vignettes for CNN's documentary "Dreamland: The Burning of Black Wall Street." A total of 10 minutes of design and cel animation created in 3 months, an incredibly tight timeline. So tight that we were still working on design and treatment as animation started locking in keyframes.

It's just as important to understand and study the event itself as it is to remember what was lost before and after to the Tulsa Massacre. The vision of Greenwood's community at it's height pitched to us by the documentary's director Salima Koroma was colorful, lively, and one we worked very hard to try to bring to life.

We recognize the subject matter is a sensitive and difficult topic to cover appropriately and we took our role very seriously. Our team is incredibly proud of our contribution to the film.

Special Thanks to Steve Waite & James Thayer at Somatic for being wonderful partners

Watch the full story on CNNgo and HBOMax.
Visit our site for our full list of credits.

OLYMPIA

OLYMPIA is an homage to the Games, especially the athletes and their amazing moves!

Check styleframes and production gifs at: behance.net/gallery/33919694/OLYMPIA

credits:
creative direction: Henrique Barone, Rafael Mayani and Conor Whelan
art direction: Rafael Mayani
storyboard and animatic: Henrique Barone
animation and line clean-up: Henrique Barone and Conor Whelan
color clean-up: Rafael Mayani and Henrique Barone
compositing: Conor Whelan
music and sound design: John Black